These include Soft Focus, which dramatizes an image and smooths over any shiny reflections, Grainy Black and White creates that timeless look, Toy Camera adds vignetting and color shift, and Miniature Effect makes a scene appear like a small-scale model, simulating the look from a tilt-shift lens. Oct 13, But, you have to trust your system and if it did not work for you, it's better to do what you did and change. However, I am thinking of getting another Canon camera, but I am not yet certain of the 70D; if there are now digital cameras such as the new Pentax K
Special Order Expected availability: Any advertised discounts or savings will still apply. This item is noncancelable and nonreturnable. Savings Available Conditional Rebates. Help us improve our search: Did you find what you were searching for? Please enter a valid email address. We cannot respond directly to comments made through this form. There's a simplified tab structure that does away completely with scrolling, with 15 colour-coded horizontal tabs dependant upon the shooting mode and up to 7 options in each one, providing quick and easy access to the various options.
You can even setup your own customised menu page for instant access to frequently used settings via the My Menu tab. Only the complex Custom Functions menu detracts a little from the overall usability. The difference between Canon and Nikon and the others is that Sony, Olympus and Pentax have opted for stabilisation via the camera body, rather than the lens, which therefore works with their entire range of lenses.
Canon's system is obviously limited by which lenses you choose, but it does offer the slight advantage of showing the stabilising effect through the viewfinder. Canon and Nikon also claim that a lens-based anti-shake system is inherently better too, but the jury's out on that one.
The Canon EOS 70D offers fast, positive autofocus, which can track moving subjects very well and which is also near-silent. If you're upgrading from an older or cheaper digital EOS model and already have a lens or lenses, you can buy the 70D body-only. Despite the increase to 20 megapixels, the 70D actually shoots more quickly in the fastest Continuous mode than the previous 60D model, obtaining a speed of 7fps for up to 65 full-sized JPEGs or 16 RAW images.
The 70D has a very similar Live View system to the 60D and D, with one important change to the autofocusing system which makes it a lot quicker. If you're new to DSLRs and don't understand the terminology, basically Live View allows you to view the scene in front of you live on the LCD screen, rather than through the traditional optical viewfinder.
This is an obvious attraction for compact camera users, who are familiar with holding the camera at arm's length and composing via the LCD screen. It's also appealing to macro shooters, for example, as it's often easier to view the screen than look through the viewfinder when the camera is mounted on a tripod at an awkward angle.
Live View is now easier to actually turn on than it was on the 60D. There's a dedicated Live View button on the rear of the camera to the right of the viewfinder, surrounded by a switch to choose between Movie or Stills shooting. A horizontal Electronic Level and very useful live histogram can be enabled to help with composition and exposure, and you can zoom in by up to 10x magnification of the image displayed on the LCD screen.
Focusing is achieved either via the AF-On Lock button or more conventionally by half-pressing the shutter-button. Live View can also be controlled remotely using the supplied EOS utility software, which allows you to adjust settings and capture the image from a PC. Live View attempts to satisfy both the consumer and more technical user, with four types of focusing system on offer.
If you turn the Live View switch to the position denoted by the movie camera icon, the camera will enter the Movie Live View mode automatically. Before you start filming, you need to focus on the subject either manually or using auto focus as described above, and optionally set exposure and ISO.
To be able to do this, you first need to set the shooting mode dial to Manual. Now you can set aperture, shutter speed within limits and ISO manually note that even if you do not enable manual exposure for movies, you can still use functions like AE lock and exposure compensation if you feel a need for it. Note however that the available frame rates are also dependent on what you have set in the menu under "Video system": Another novelty of the 70D is that if you shoot a standard-definition clip, you can use a function called "Movie Crop".
This can come in handy when you do not have the necessary telephoto reach to film something that is happening at a distance. The EOS 70D will automatically adjust focus during filming, and you can initiate auto-focus at any time while recording a clip.
However, be warned that this can do more harm than good, as, depending on the lens, the microphone can pick up the sound of the focus motor, and the subject might even go out of focus for a second or two.
Setting a small aperture and relying on depth of field for focus is a better idea. Of course you may wish to utilise the DSLR's ability to produce footage with a shallow depth of field, but in that case, it might be a wise idea to purchase a couple of third-party accessories that make manual focusing and focus pulling easier.
One camera is coming up on its third birthday, while the other is set to start shipping later this month. No surprise that the new model offers a bump in specs. In short — and in the words of Billy Idol himself — more, more, more. Is the 80D a better camera than the 70D. At least on paper that is. Almost six years now. Before that I used Canon Vixia camcorders.
If you wanted you could, of course, buy only the body and use your existing glass. I would suggest this:.
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